Dr. Barton Moreau

Barton Moreau made his solo debut in a New York City performance with the New England Youth Ensemble at the age of 15. He has since performed as a featured soloist with orchestras across the United States, including the Northwest Florida Symphony, New Orleans Symphony, Port City Symphony (Mobile, AL), Mesa Symphony (Arizona), Gulf Coast Symphony, and the Boise Baroque Orchestra.

Moreau’s honors include a top prize at the Debose National Piano Competition and a collegiate artist award from the Alabama Music Teachers Association. In 2007, he was a finalist at the World Piano Pedagogy Conference’s PIANOvision Most Wanted Piano Competition, an international online competition created by Benjamin Saver.

As a collaborative artist, Moreau has performed with a diverse array of distinguished international players, including clarinetists Robert Spring and Jorge Montilla, oboists Andrea Ridilla and Gonzalo Ruiz, violinist Rachel Barton Pine, and composer-violinist Daniel Bernard Roumain (DBR). He has appeared at national and international conferences, including those of the College Music Society, International Double Reed Society (IDRS), and the International Clarinet Association (ICA), most recently at ClarinetFest 2018. Other performances include appearances with the Boise Philharmonic Orchestra, and at the McCall Second Sunday Sounds Concert Series (Idaho). Moreau joined the Boise Baroque Orchestra as principal keyboardist in 2012 and regularly appears on their subscription series.

Moreau holds a Doctor of Musical Arts degree from Arizona State University, and a Master of Music degree in piano performance from Indiana University. His collegiate career began at the University of South Alabama, where he was a recipient of the Theodore Presser Award. Moreau’s major teachers were Robert Hamilton, Karen Shaw, and Jerry Bush. He has also coached with Lee Luvisi, Fabio Bidini, Mykola Suk, and Leonard Hokanson.

Moreau serves as a Lecturer of Music at Boise State, teaching courses in piano, music theory, and music history. In addition to his collegiate teaching and performance activities, he is also an active studio teacher and adjudicator and an Associate Member of the American Matthay Association for Piano.